Virgin megastores on-line, oct 19,2000
A Club with a Growing Membership
'It's good in the car and it's good in bed!" Tina Weymouth is forthright
in extolling the virtues of the latest Tom Tom Club album, The Good
The Bad and the Funky, the outfit's first offering for eight years.
Characteristically, it's an intoxicating mix of soul, reggae, ska
and hip-hop influences, topped off with the band's trademark tight
'n' choppy guitar sounds.
For the uninitiated, Tina Weymouth and Chris Frantz began their
musical careers as the rhythm section of legendary New York 'new
wavers' Talking Heads. Initially a side project, the Tom Tom Club
are probably best remembered for their classic singles "Wordy Rappinghood"
and "Genius of Love," the latter of which has been sampled by a
host of artists as diverse as Mariah Carey and Grandmaster Flash.
The rancorous demise of Talking Heads in the early '90s left the
couple free to resurrect their beloved Tom Tom Club project.
Chatting at their London hotel, the couple is full of energy and
enthusiasm for The Good the Bad and the Funky, an album that was
two-and-a-half years in the making. "I think it's the kind of record
that will transport you into a sort of vacation type of head," says
Chris, while Tina explains that the record almost never happened
at all. "We were working on a retrospective, like a greatest hits
because so much of our stuff was out of print. That got killed -
legal business - and we'd done these two songs that were originally
written for, of all people, Bette Midler. She just didn't have the
time, so we said 'OK, we're going to finish them up for ourselves.'"
A new addition to the Tom Tom Club sound is the soulful vocals of
Charles Pettigrew - formerly of Charles and Eddie. "We went to the
opening of a club in New York City," says Chris, "and the guy who
owned it got Charles and Eddie to reform just for one night. Afterwards
we asked Charles if he'd be interested in writing some songs and
recording with us. Since then we've recorded three songs with him
and we've done a number of live shows too. He's totally smooth,
he's like up there with Marvin Gaye, I think."
Frustrations with large record companies led to Chris and Tina forming
their own label, Tip Top Records, for the release of the album.
As Tina explains "We did three tracks with Charles that we took
to different labels and said 'Is this what you're looking for?'
Finally we said 'OK forget it, these people are looking in a different
direction and so let's just form our own label and cut out all the
bullshit.' It was really driving us mad with the way they were thinking."
Despite the experience, the pair remains philosophical about artistic
integrity and the concept of selling out. Tina takes up the subject;
"I don't see how you can sell out. Selling out to us was when you
started to use your material, which was made in a much more spiritual
head, to sell things like cigarettes or beer. People don't seem
to draw those same sort of distinctions that they did 20 or 30 years
ago." Chris chips in, "Now, of course, everybody's doing it but
there was a time when it wasn't cool, it was considered to be ...
just not cool!" Tina continues his theme, "Also you see, you don't
have to just be a consumer with your money. That's really repulsive,
I mean just buying more houses with swimming pools and whatnot.
Do something nice with your money, build a hospital, build a school,
unfortunately nowadays the rich don't do that. There are just so
many things that are wrong, selling out is like the least issue."
The band will be going on tour in the US to support the release
of the album, followed by international dates next year. "We have
a really fun band," Tina smiles, "I believe that the reason we're
attracting these really great people is because we don't make them
replicate the record, there's just no sense in it to us. I mean
there's certain things of course where you might say you've gotta
play that lick because that's the main part of the song, but in
every other aspect what we say is 'we love what you do.' I think
that's a blessing for us, that we bring them in and we give them
a lot of room to move around and express themselves and be who they
are, so they're all stars, they get up on the stage and each one
shines."
- Dawn Coates
09.12.00
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